Edmund de Waal is creating a major new two-part exhibition to be displayed in the 500-year-old Jewish Ghetto in Venice, coinciding with the opening of the 58th Biennale.
The first part is located in the spaces surrounding the Canton Scuola, the beautiful 16th century synagogue in the Ghetto Nuovo, which is now part of the Jewish Museum.
New installations of porcelain, marble and gold will reflect the literary and musical heritage of this extraordinary place. The intention is to animate spaces that are little known and little understood by visitors to the Biennale and to bring new audiences into the Ghetto.
The second part of the work will be a pavilion based at the Ateneo Veneto, the fifteenth-century building near the Fenice Opera House that has been an historic centre for cultural debate in Venice. Here, de Waal is constructing a small building within the main space that will house 2,000 books by exiled writers, from Ovid to the present day.
Edmund de Waal said: “This is the project I have always dreamed of doing. It is about exile – what it means to have to move to another country, to speak another language. It brings new installations based on the Psalms, the poetry of exile, into some of the most beautiful spaces of the Ghetto, the first time some of these spaces have been used for contemporary art. And my library for the Ateneo – two thousand books within a porcelain-covered pavilion – will be the most significant sculpture of my life. It will be a new library reflecting Venice’s thousand years as a place of translation, a space to sit and read and be.”